d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

bavaria based label treibjagd-records strikes again with its fourth installment featuring patrick kunkel (cocoon records) & sascha barth. the door is a smooth tech house track, including an earsoothing female vocal sample. this gets backed by remixes from label owner ill-boy phil

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

we are more thrilled to welcome the mighty thievery corporation. taken from their highly acclaimed album radio retaliation which was originally released on their label esl, el pueblo unido gets the remix treatment courtesy of miguel migs who delivers some creatively thoughtful reinterpretations of the song. with plenty of live instrumentation including a healthy dose of layered percussion and a smooth horn riff, warm synth chords and deep bouncing basslines are all showcased here along with cut-up and dubbed out vocal snippets for a balance of depth and dimension. high level production values, steady grooves, complex yet subtle arrangements and well crafted musicianship are all featured here in this lovely package.

hot on the heels of ornate musics last release featuring the bumping house business of digs, the imprint set their sights on welsh producer leif, who has been turning heads with his masterful deep house for labels like fear of flying and fina since 2003. kicking off with *circumstance 4*, whose smooth organ refrain drifts over a lightly rolling groove, the vibe switches up with *every cloud*, whose gentle jazz-inspired piano and abstract, dubbed out soundscape is strongly reminiscent of floating points more freeform productions. however, it is *each day made new* that provides the eps most surprising moment, an andres style hip-hop track with a cut-up, sunshine drenched quality calling recloose to mind.

new 12 inchfrom veteran producer patrik sjeren, last seen on fxhe with a heavy techno track on the omar-s 998 12 inch. on this ep, sjeren comes with two smooth and bumping house tracks for the a side. on the b side, sjeren changes it up and gets dark and dirty with two acidic techno tracks. essential

the third installment in studio barnhus special coloured 10 series brings together norwegian soundbwoy killa boska with pedrodollar - that wild, elusive beast of studio barnhus - on shiny green 10 vinyl, strictly for the real djs. boskas smooth yet bumpy club anthem has been the highlight of many a studio barnhus dance party over the last year. on the logo side, theme song showcases pedrodollars brilliant way of cutting and pasting emotions, melodies and noise to perfection. 300 copies worldwide baby!

gray marbled vinyl incl. sticker and special cover limited to 100 copies. the tracks are mastered by cgb from dubplates & mastering berlin. including a print designed by tessa de ceuninck. so here we go again, back on track with our new signing markus masuhr with his markable cold winter sound for the big dancefloor taking the rough with the smooth from scandinavia to russia.

after the quick sold out from superb recordings tom joyce here we go back on new tunes. markus masuhr serves us a great tool for the concrete techno dj ready to take thecrowd on a journey with two epic tracks (tamur 11min, tamur salth 12min. his markable sound for the bigdancefloor taking the rough with the smooth from scandinavia to russia. mastered by cgb dubplates & mastering berlin. limited to 300 black & 100 greymarbled copys that including a poster signed by the artist.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

finest mixup between smooth detroit house and driving techno. the wide ep cuts two titles into deep wax, >marks< and >wider< have been highlights of teyseras live set for quite some time now, finally out on vinyl.

all tracks written & produced by ark (guillaume erroyer) and pit spector (pierre deniel) 4-track package from exciting new duo ark & pit spector. made up of brothers ark, the parisian known for his pioneering releases on perlon and karat, and pit spector, an up and coming producer, they join forces on their debut ep for eclectic label hold youth. true to the hold youth ethos the ep calls on a number of different influences, from the smooth, funk-led vibes on tournsoul, to the techno-inspired sounds of seuils remix of the nuts. ark & pit spector explore all that is sexy and hypnotic through the subtle but effective all green, while more down-tempo the nuts is verging on 80s-esque wonky-pop. seuil steps up for his take on the latter and delivers a dark, murky and all together sinister version of the original, adding a pulsating bassline to compliment the stripped back edit of the vocal. forward-thinking and open-minded sounds, old futur is another worthy addition to the hold youth catalogue.

with this third release we have returned to the structure of our first release together to bring you too wicked examples of his original take on house with a final track to send you on your way bathed in psychedelic sunshine vibes. how leon manages to combine ruff edges with smooth vibes is a talent in itself.

the release opens with quite baked, a stripped, low-slung cut that embraces loose, swung drums and rolling low-end rumbles. the record adapts to a simplistic hooky structure that allows subtle transitional periods to keep things captivating, infusing a blend of gritty elements that gleam with analogue sparkles and warmth, resulting in a tasteful slice of rough and ready house music. next up is as olways, taking things in a deeper direction with smooth rhodes chords driving the melodic movement.

blacksmif aka londons kaleidoscopic yemi olagbaiye stepped from the shadows in 2012 with his enthralling original 12 inch *hoop dreams / microweight*, gathering heavyweight support along the way from, laurent garnier, ben westbeech aka breach, south london ordnance, mary anne hobbs and audiojack to name a few. not to mention an increasingly busy calendar, which notably included performances at glade, and dimensions.returning for his second release on the grass roots inspired blah blah blah records, blacksmif delivers his biggest release to date with two tracks of simmering beauty and dance floor elegance. lorca completes the package with his characteristically smooth, and essential, dynamism.

karat is going deep in the new house scene with this absolutely delicious release from the new dutch sensation tom ruijg. 2 nice tracks in a totally house vein, classic and modern as we like it. pure delight !

simon weiss is taking over fast and smooth. his track amsterdam wave on rush hours amsterdam all-stars compilation last year was a brief introduction. his rush hour follow up, a full 12inch titled >wave ep< has just hit the shelves and is getting great feedback. now simon weiss readies for a three out of three with a brand new 10inch.

patrick gallenmüller and maysam salehi alias pele & shawnecy the hard working guys from the south of germany,coming up with their second part of >kings of the garden part ii< . first track >savago< impresses with his groove and easiness and has already massive support from many headliners. second track >focus< is definitely putting the focus on the night,great tuff vocals from shawnecy himself. on the flip comes >passion< first really starting smooth than exploding in the middle of the track with a mighty bassline. last track on the vinyl edition one more flawless laxly track named >out of mind< perfect killer for every house set with additional vocals from shawnecy and the message >get back, relax and let your mind be free...<

fuselab introduces a new 12 inch ep single of our long-time bros and comrades kott & wellbeck. >can you< ep - a deep house set with a certain classic touch in its best from the south bounds. four tracks bringing a real ear and soul pleasure both on the dancefloor and at home, pool or any place you might color with smooth and touchy vibe.
supported by: laurent garnier, christopher rau, someone else, ramon tapia, kink, anton kubikov (scsi-9), nudisco, slam, ascii disko, andrew grant, oliver schories, owen jay, tsugi mag ...

the >just for fun< ep starts with the title track just4fun, which in fact breathes fun and doesnt take itself too seriously. the funky and highly infectious keys and the butt shaking groove will remind you of a track that moodymann never made, but wishes he had. next comes unlimited01 with a joyful piano melody that would fit right into a french disco with a funkier version of alain delon behind the decks. still, the rhodes chords, the slow sexy groove, the vocal hooks will get you moving in no time. thang then goes into a more detroit beatdown direction with its deep chords and smooth pads. it creates a mellow atmosphere with an almost relaxed summer feeling. this is what a funky pimp would listen to on a night car drive. the ep ends with spiritual almost tribal rhythms. inspiration would be a nice soundtrack to a 70s orgy orchestrated by a groovy guru, surrounded by a magical circle of mystical dancers. over the top? sure, but the track would certainly get this party going.

incl 2 bit crew, lgg, volta cab and rosenhaft. 2 bit crews just cant seem. taking a sound heavily influenced by the underground house music / garage sound of the 90s, this is a bumping groove with a driving bassline and hatswith a simple female vocal sample that will stick in your brain. the second track takes things deeper with bastien carrara aka lgg with let me, smooth rhodes chords with a love sensation sample underpinned by raw beats and sub-bass. on the second side things get a little tougher. the third track is from a producer who has had many releases already on labels such as balance alliance, seven music and undertones, konstantyn isaev, better known as volta cab. his track what is underground focuses primarily on a killer bassline, retro synth stabs and a cheeky hip-hop sample used to great effect. finally is haim rosenhaft, a young producer from israel with 1992, his homage consists of an old school organ sound with heavy kicks and snares influenced by the sound of labels like umm and cleveland city in the 90s. again this will be a vinyl only release

the organ grinder made a lot of noise with his sought-after obsession track late last year. his unique and raw blend of deep house and uncompromising beats perfectly fits 4lux catalogue so, here the grinder serves you with 4 mighty dancefloor bombs. smiley face is a tough ravey club track with catchy vocals and blunt stabs. project features a collab with jessy allen resulting in a mesmerizing tune. universe is another pumping track reminiscent of early belgium rave music but then in a true organ grinder club-vibe. heaven is a smooth nugget with delicate strings, simple organ notes and atmospherical vocals.

japans rhythm of elements return with another e.p. that display their versatility and belief in the many forms that soulful music can take. >tribe #3< contains the classic rhythm of elements combination of dj uchikawas firing electronic beats alongside virtuoso piano playing by makoto kuriya, plus bass by incognitos francis hylton. the track is a tribute to the late departed detroit electronic music artist aaron carl who sadly passed away last year. continuing the detroit connection, rick wilhite has been working with the likes of theo parrish and moodymann for years, and his remix of >tribe #3< provides an audio beatdown, stripping the whole thing down to its rawest elements, and supplying the hard and the smooth in perfect balance. >blow< is another journey into a percussive horn driven groove for the dancefloor. rhythm of elements provide the remix, layering the musical elements like flavours in a delicious cake. finally, >meditation bath< (loftsoul 2012 mix) takes the pace right down for this beautifully relaxing slow burner. close your eyes and let it flow over you.

former model sade, born as helen folesade adu, delivered a sensation with het debut “diamond life”. her delibetately icy and aloof approach, in combination with the jazzy sound and warm voice brought this album to the top of the charts.
this modern soul classic debut was recorded and released in 1984, two years after the english group was formed. diamond life was an instant hit in the uk, peaking at #2 and staying in top ten for more than six months. at the same time they conquered the rest of europe reaching #1 positions in the netherlands, germany, switzerland and austria. in the us, it reached #5 in the charts and the album reached a 4-time platinum status, just like in the uk.
the hit singles “your love is king”, “when am i going to make a living”, “smooth operator” and “hang on to your love” propelled sade s debut album to sell more than 7 million copies worldwide.
exclusive remastered, 180 gram audiophile vinyl pressing.

the ep opens with >black jack<, a percussive, grooveled workout built around next up is >as much as this<, applying similar drum programming tactics with a raw shuffled groove but this time opting for an esoteric vocal line and smooth house pads to fuel a deeper melodic movement. highly respected bass culture, off and robsoul artist chris carrier turns in a remix of >as much as this< to follow, stamping his signature french soulladen house sound on the original cut. the track captures a 90s feel through its crunchy 909 drums, loopy piano hook and acid squeaks and bleeps.
supported by: lauhaus, boris werner, nick curly, federico molinari, kabale und liebe, nekes, johnny d, sascha dive, 2000&one, markus fix, dj wild, chriss carrier, ilario alicante, martinez, loco dice, mathias mayer, brothers vibe, karotte, tanzmann, matthias kaden, raresh, robert dietz, reboot, anthony collins, vera, ray okpara, …

the first 12 inch off of the forgotten art album from this chicago house artist. on the a-side is an exclusive remix of the track strumming & thinking with added vocals and a smooth soulful vibe. the flip holds the albums banging title track with amazing keyboard work.

having hibernated over the past few months, truesoul is back with a run of releases to close out 2012. the italian duo of frankyeffe and enrico sangiuliano kick things off, combining to deliver two smooth cuts that straddle the divide between house and tech house. >consciousness< works up an atmospheric mood with spacey effects and the spoken vocal sample woven into a rolling, percussive groove. >neaps< retains the percussive feel to create a bumping rhythm of drops and builds that provide the space for the distinctive vocals to do their damage.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

back in stock (ltd warehouse find)huge classic early 90s ghetto house produced by paul johnson

franck roger reunites with vocal powerhouse mandel turner for one of the years most infectious tracks, >through the motions<. the product of a melting pot of inspirations, >through the motions< features a hilarious spoken-word sample, mandels ultra smooth vocal contribution and louche, hypnotic atmosphere underpinned by a laid back bpm.
already support by agoria, sebo k, sascha dive, kate simko, tiefschwarz, lee curtiss, lauhaus, anthony collins, jimpster, tripmastaz, shinedoe, slam, manik, roberto rodriguez, burnski, rocco, ralf gum, claude monnet, willie graff, okain, fabrice lig …,

vinyl only release !! limited to 300 copies... after the previous four compilation releases, merkurs founder shingo suwa now announces his own ep. as first track never leave me / original mix is a smooth house track, which combines synthetic riffs and chords with a solid bass line. hm dub is a remix by house mannequin, this remix contains some of the vintage chicago style beat, including filtered pads with dubbed samples. it is an incessant groove of a mellow and simple dub edit. side b inhaled deeply / original is a profound production by shingo, created with a deep and raw groove. wild rhythms assist the techno flavor here as well. sei katsu acid mix was created by the mysterious newcomer sei katsu from miyazaki. this remix is a repetitive trip through hypnotic, sweeping synthesized lines and tricky drumming. its kind of a dj tool that is functional on the dance floor

lakosa & io are third to grace the madtech roster with their dancefloor banger home early, which features remixes by west norwood cassette library and the 17 year old exceptionally talented experimental grime producer pedro 123. home early is a punchy house track weighted by bass and marching with the suave speed of 4/4 house. its sultry vocals and samples tease the determined beat that drops in and out developing a bold breakdown. the track sits nicely between house and uk bass, giving it the flexibility to sit within an array of styles in future sets and mixes. west norwood cassette librarys remix gives the original a disco tinge with the use of strings and vintage sounding samples. the vocal is scrunched and ricochets neatly off the carefully placed beats and samples. the pedro 123 remix gives the original a smack of grime and a refreshing sound. pedro stretches the vocal into a smooth echo that drifts over the top of his clipped punching bass line. a grime-tinged wobble and a bassy beat resonates beneath pedros impeccable percussive production.

divided by two sides, bpv002 presents two most promising and talented young artist from romania and russia: welcome dubsons and stab9.
a side - will support your bag with some proper prime time sound, when on the other hand you get hypnotic, smooth journey on side b to guide your crowd through long after-hours...
both artists are well known among present techno scene. their releases were played and supported by such giants as: petre inspirescu, raresh, zip, tc studio, praslea to name a few. this limited vinyl release is not an exception. make sure to grab your copy on time.

a freaky, bumping brand of deep house that stands apart from the glut of smoother styles being mined at present. >groove your world< boasts surreal pads that create an overall delirious vibe, only bolstered by the off-kilter choice of vocal snippets and occasional thunder cracks. medlars remix finds its way into that swinging shuffle that hes made his name on thus far, with some smooth keys to boot. >let me know< works off some bold chords before meandering off in an altogether different direction, and >you got my time< clatters along with a quintessential chicago ruffness that leans heavily on the drums

the cryovac machine is maintained and operated by a. garcia. the components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. what is preserved is the character of a craft that follows its own path. cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the cryovac approach, and only selects the best vinyl when manufacturing and inspecting its product. the cryovac machines purpose is to keep an independent view of the detroit sound. jason garcia is an international d.j., producer, and house music aficionado. his production runs the gambit of genres with a knack for injecting his smooth character into each work. for this effort garcia has chosen to represent himself with a house style that is truly pimp heroic. jason garcia will forever have people in the detroit underground.

dropping his debut ep adapt as a second release on the upcoming dandelion lotus label, west-london producer and multi instrumentalist j. holmes, a.k.a. danglo, is proving to be a refreshing addition to the ever-adapting post-future-uk-bass-garage-footwork scenery. collaborating with him on adapt, danglo swiftly works his beats and tunes around some smooth-voiced vocalists, including: ivan franco, marcia bellamy and abi wade.
limited hand numbered white vinyl edition is cut & mastered by sam john (mount kimbie, fantastic mr. fox, little dragon, aphex twin, ...) and wrapped in a full colour 12 cover. free digital download code (flac, wav & mp3) included!

incl. huge pol_on and nils penner remixes. next semester music! tasteful, soulful, deep, smooth n sexy.

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

celebrating a landmark tenth release, biscuit factory records brings two absolute stompers. the a side is creature, a laxx and farkas collaboration. on the flip laxx and soap dodgers team up with hi rolla. creature is a 4x4 combo with a smooth hypnotic vocal that drops into a heavy bassed, techy roller. the biscuit factory is set to full speed on this one with industrial synths and weighty stabs crashing over the raw upfront bassline. hi roller is a dance floor club smasher. dark robotic basslines and pure weight make this a perfect flip to creature. the low sub bassline and hard punchy drums combine with light melodies in the breakdown to make a track that turns speakers inside out and shreds clubs to pieces. creature and hi rolla have been a staple in walshs sets over the last few months, destroying raves across europe. huge support also coming from n type on his weekly rinse fm wheel and deal records show, hatcha (kiss fm, sin city recs) and skream and benga (bbc radio 1).

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

jay bliss is our first ever romanian signing. there has been a influx of superb romanian producers over the last years including a:rpia:r and the trend continues with bliss and his hermanndstadt collective. developing a style sitting somewhere between house and techno, with strong detroit roots he has released for the likes of immigrant, hudd trax and diynamic. pluto has been a staple of ralph lawsons sets for a while now, its a smooth and crisp tech house roller that recalls classic 2020 releases gone by, especially those of carl finlows. on the flip weve turned to skudge to give us their own take on pluto. weve been fans of skudge since they dropped their first single, and have had us transfixed with their excursions into pure analogue, loopy, dub techno ever since. their version of pluto is a different beast to the original, all stuttering percussion and menacing strings, a perfect counterbalance to the original version

an absolutely stunning album. its like an electronic emotional version of people like fink or piers faccini. this album is simply superb. vitall laurent garnier, very smooth, lush and deep. excellent, really! michael mayer, after nicolas jaar and pantha du prince, lee burton has brought the romance back into electronic music. a powerful album. raveline: a wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart elektronikexkurse, but also connoisseurs of elegant, unique and timeless pop music.partysan.net “une pop avant-gardiste et douce a decouvrir” sciences et avenir.thats part of the reviews lee burton received within the last three months from the press around the globe for his latest album release busy days for fools on klik records. being really ingenious lee burton managed to create a unique output that combines the sound of the german electronica with the greek temperament and the south american laid back feeling.busy days for fools is the stoner side of electronica. on july the 16th klik records present on a limited edition vinyl, pt. 01 of the remix series on original lee burton tracks from the likes of skinnerbox, mr statik, scsi -9 and finally on vinyl, nhars firelfy remix that reached on youtube more than 1.000.000 views so far

supported by audiofly, betoko, climbers, mart, audiofreak, dre, theelement, lopazz,dirtcrew,, whimee, joao teixeira, james flavour, the town, samh3, sammy & alex, rise n fall, femi fem and more… chilli mint music give us another superb deep house/nu disco ep from their very limited 180 vinyl series. this time being the excellent hypnotising 4 track ep a very smooth and groovy 4 track ep from the very talented jonny herring & cale farmer aka sellouts. sellouts already have taken the no 1 position last month in the juno download charts with their excellent track envy and continue to dominate the charts with their superb style and other release at present…these boys already have major support form some of the biggest djs out

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

2012 sees detroit label, kms records, celebrating its 25th anniversary. vinyl part 3 of 6

2012 repress !! smooth and deep detroit house by patrice scoot atmospheric tracks with a lot of string and synth riffs amust have record for those who are into omar s and some of the scott grooves

its time for class once again. students, take out your notepads, er, laptops. todays lesson is how to spin subtlety, emotion, and intelligence into slices of smooth groove. our coursework consists of the original of disorder vs. disaster on private gold.

the young soul notes imprint is returning to the vinyl front with a new mesmerizing striker by finland based -deymare-. slow house music with touches of soul and bouncy rhodes sliding all over this release. this one is a must have for lovers of the deep detroit sound by masters like rick wade and mike huckaby. soul notes shows to be a versatile label to follow up their club banger ep by adryiano with some smooth deepness like this. deymare proves to be one of the upcoming greats within the slow and deep range. go and get this while its still available, strickly limited vinyl release.

each solid design is precion made from polished heavyweight aluminium to ensure greater contact fit and sound performance with a smooth slide on 7inch vinyl play feature. one of the best turntable 7inch adapters.